Any part of any song can be your next sample. Mine it.
Love the snare in a song? Upload it, drag over one hit and pull that snare out as a clean one-shot. Kick, bass line, vocal hook, guitar stab: if you can hear it in a stereo mix, you can sample it. No song has it? Describe the sound and create it, or hum it and hear it played back as an instrument.
Three ways to create a sample.
Pull the sound out of a song you already have, describe one that does not exist yet, or sing the idea and let it become the instrument.
Create
Pull it out of a song
Upload any stereo song or mix, drag over the hit you want and name the part. The snare, the kick, the bass note, the vocal hook: Sample Mine separates it and hands it back as its own clean sample.
For example: You love the snare in a track. Drag over one hit, pick Snare, and keep it as a one-shot.
Pull a sample from a songDescribe it
No song has the sound you hear in your head? Type it: a cinematic whoosh, a concrete-hall snare, rain on a car roof. Sound FX renders it in seconds and the same style takes apply.
For example: A dusty vinyl kick with a short tail. Describe it, get it.
Describe a soundSing it
Hum, sing or beatbox the idea into your microphone, or upload a recording, then say what it should become. Your melody and rhythm come back as a Rhodes, a synth lead or a drum groove, with the same style takes.
For example: Beatbox a groove for ten seconds and turn it into a tight funk drum loop.
Sing an ideaThe sound you love used to be locked inside the mix. Not anymore.
A finished song is one stereo file: the snare, the bass and the vocal are glued together. Sampling meant hunting for a bar where the sound plays alone, or settling for something close. Sample Mine separates the part you point at, so any sound in any song you have can become its own sample, one hit or a whole loop.
Sample audio you have the rights to use.
The snare from your favorite song, in three steps
1 · Point at it
Upload the song and drag across the waveform over one snare hit. Zoom in until the selection sits on the transient.
2 · Name it
Pick Snare. Kick, snare and hi-hat use the precise drum split; bass, vocals, guitar and keys use their own stems.
3 · Keep it
Get the clean snare plus Punch, Room, Slap and Tape takes. Audition each one, download the 24-bit WAV, and find them all in your Samples library.
Built for the kit you keep coming back to
Sample Mine is for the sounds that make a track yours: the snare from the record you grew up on, the vocal chop nobody else has, the riser you described in one sentence.
Five takes, one run
Raw stays dry. Punch adds presence and drive, Room a long natural tail, Slap a short delay, Tape a soft top and saturation. Rendered in your browser, saved as separate files.
Public when you want it
Every sample has a Make this public switch, so you decide which of your sounds you share. A public sample costs 16 credits to create instead of 23.
Text when there is no source
From text runs the same Sound FX engine as Audio Tools: set a length from one to thirty seconds, or let it pick, and the style takes apply the same way.
The best sample in your next track is hiding in a song you already love.
Upload it, drag over the hit, pick the takes. Or just describe it, or sing it.