Loved by Audio Professionals

Rated 4.7 / 5 based on 683 reviews from producers, mix engineers, and artists.

MixMaster Pro helps you see what your ears miss: frequency balance, loudness, stereo width, masking, and clear next steps. Studio users also get Maya mentor coaching grounded in their mix reports, plus Audio Tools for stems, karaoke, a capella, Voice De-Noise, and restoration.

Why producers leave reviews

Engineers use scored mix analysis to cut revision loops, compare against reference tracks, and coach juniors with objective notes instead of vague feedback. Artists use the same reports to know what to fix before sending a bounce to a mixer.

Common themes in feedback include faster turnarounds, clearer action items, useful reference comparisons, and Maya explanations that translate technical findings into practical DAW moves.

Customer feedback

4/5 — Hassan Youssef (Beatmaker)

masking callouts saved me a revision with my singer. credits burn a bit fast. used it after a long session when my ears were tired.

5/5 — Ilya Park (DJ)

mono check and lufs targets alone were worth it for club stuff. no fluff. saved me from sending a muddy bounce to the label.

3/5 — Leila Hassani (Hobbyist Producer)

good starting point if youre new. seasoned ears will already know a lot of it. saved me from sending a muddy bounce to the label.

5/5 — Yuna Ishikawa (Recording Engineer)

maya pointed out why my drop felt soft and i finally got it. using this before every bounce now. saved me from sending a muddy bounce to the label.

4/5 — Nadav (Podcast Producer)

caught a low-mid buildup my friends missed. would recommend, with the caveat that you still need your own ears. still learning the dashboard but the notes were clear.

5/5 — Pieter N. (Mastering Engineer)

short notes, concrete fixes, re-analysis that proves it worked. stays in my weekly routine. still learning the dashboard but the notes were clear.

3/5 — Jamal A. (Recording Engineer)

good starting point if youre new. seasoned ears will already know a lot of it. worked on a rough demo, not a polished master.

4/5 — Hana (Singer-Songwriter)

masking callouts saved me a revision with my singer. credits burn a bit fast. took about twenty minutes end to end.

4/5 — Marek N. (Mastering Engineer)

checklist translated cleanly into ableton. one wishlist: better genre presets. worked on a rough demo, not a polished master.

4/5 — Hanae I. (Band Member)

used it on my last bedroom mix and it called out harsh tops id ignored for weeks. still wish free re-runs lasted longer. used it after a long session when my ears were tired.

5/5 — Jonas N. (DJ)

maya pointed out why my drop felt soft and i finally got it. using this before every bounce now. worked on a rough demo, not a polished master.

3/5 — Nabil Farouk (Music Teacher)

works for spotting mud. less useful when im chasing a specific vibe. did it on headphones first then checked in the car.

5/5 — Yoni (Singer-Songwriter)

mono check and lufs targets alone were worth it for club stuff. no fluff.

5/5 — Aiko M. (Hobbyist Producer)

maya pointed out why my drop felt soft and i finally got it. using this before every bounce now. still learning the dashboard but the notes were clear.

3/5 — Camille (Independent Artist)

numbers are clear. creative tips are hit or miss depending on the track. took about twenty minutes end to end.

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